Category: Library and ArchivesPage 1 of 3
Information about the collections held in the RBGE Library and Archives
A series of posts from our volunteers … Karissa Adams My time as a volunteer with RBGE began in January 2019, when I was studying Book History and…
A series of posts from our volunteers … Maggie Stevenson I am Maggie, formerly an occupational therapist. Always a keen gardener, I completed the RHS (Level 2) Principles…
We recently received the sad news that one of RBGE’s longest standing photography volunteers had passed away. Alex Wilson was recruited as a photography volunteer in 2000 by…
Reginald Farrer (1880-1920) was a remarkable botanist whose correspondence and photographs are among the treasures of the Royal Botanic Garden Edinburgh Archives. Many of the species that he…
***Deadline for expressions of interest extended to 30th October 17:00 UTC.*** You put your images in, your data come out – that’s what crowdsourcing’s all about! It sounds…
A series of posts from our volunteers … Diana Wilkinson I’m Diana, a former civil servant who worked as a social scientist in the Scottish Government, finally retiring…
A series of posts from our volunteers … Laura Gunstensen – Library Volunteer The ‘Botanics’ have always been a very special place for me since I arrived, fresh…
A series of posts from our volunteers … Helen Bennett A period of secondment from Scottish Arts Council in 2006 confirmed my ambition to volunteer with Royal Botanic…
A series of posts from our volunteers … Jane Gardner My name is Jane Gardner and I am retired. I have lived in Edinburgh for nearly six years…
A series of posts from our volunteers … Brenda White – A Photography Volunteer Long ago, when the world was simple, and taking photos involved no more effort…
A series of posts from our volunteers … Simon Muirhead – Trawling through the Archive For some years I have been a member of EDFAS [Edinburgh Decorative and…
A series of posts from our volunteers … Peter Middleton I’m a retired journalist, cum corporate communications director. Ok, so I was a sort-of spin doctor working for…
A series of posts from our volunteers … Paul and Ruth Maxwell We came to be Volunteers at RBGE quite by chance in that while attending a Fine…
In March 2020, in response to the Coronavirus outbreak, the RBGE Library, Archives and Photography staff, along with most of our colleagues, found ourselves working remotely from home….
Henry Noltie In pursuit of interesting facts for some captions I was recently asked to write I turned to David Pearman’s fascinating account of the first records of…
In January 2020 Manshu Xu, an MSc student at Edinburgh College of Art began a work placement in the RBGE Library that involved creating an initial finding list…
As with all other aspects of our lives, the Coronavirus pandemic has impacted on the scholarly communication process. With most libraries closed, a number of publishers have made…
Alessandra Leruste has been a Volunteer gallery assistant with Inverleith House since 2019. Alessandra has an MA in History of art from the University of Edinburgh and has her own art-writing blog. Here, Alessandra shares her experience from the afternoon of Siân Bowen’s micro-conference at RBGE.
Klaudia Jaworska is in her third year at Edinburgh Napier University, studying International Festivals and Events Management and Marketing. As part of her course, she is currently carrying out a work placement in RBGE’s Public Engagement Department. Here, Klaudia shares her experience from the morning of Siân Bowen’s micro-conference at RBGE.
After Hortus Malabaricus: Sensing and Presencing Rare Plants marks the culmination of my four-year collaboration with the Herbarium at the Royal Botanic Garden Edinburgh (RBGE). Having held my first solo exhibition in Scotland at Inverleith House at RBGE in 1995, it is wonderful to be able to exhibit here once again. In 2017, I was awarded a Leverhulme Research Fellowship to carry out the project. The Leverhulme Trust is known for supporting experimental proposals with an emphasis on outward facing journeys. The journey that the award facilitated has certainly been extraordinary – opening up possibilities to work with botanists, ecologists, historical researchers, cultural geographers, taxonomists and curators. It has allowed encounters with rare plants in darkened herbaria and light-filled South Indian forests and swamps; epistemologies used to ‘reveal’ specimens and sensory differences between plants’ live and preserved states.