Author: Robyn DrinkwaterPage 4 of 33
Protection of the habitat is a perhaps the most effective method of conservation of plant diversity, yet this alone cannot guarantee the survival of some of our most…
Introduction A rolling condition survey of mounted herbarium specimens was recommended in the 2010 RBGE Synthesys Self-Assessment Collections Care Report. An initial pilot survey was carried out in…
Bertha Chandler (1885-1961) In 1901 did Andrew Carnegie know, by donating $10 million to create the Carnegie Trust for the Universities of Scotland, that his legacy would assist…
Two of our herbarium specimens from the 19th Century are in the new exhibition entitled PLAGUE! at the National Library of Scotland on George IV Bridge. They make…
Yesterday saw the 300,000th specimen from our herbarium collection imaged and made available on our website. This is a big milestone for the digitisation programme, which has been…
Here at the RBGE we have just finished digitising our collection of British Rhodophyta (Red Algae), a total of 7850 specimens. Our collection dates from present day right…
George Forrest was first sent to China in 1904 by the Regius Keeper Isaac Bayley Balfour. On this and six subsequent expeditions Forrest collected prolifically in NW Yunnan,…
Whilst digitising the British algae, we have been finding some interesting and beautiful seaweeds. This Dilsea carnosa, collected in Shetland, is particularly appropriate with Valentines day this weekend……
Programming is becoming an increasingly useful skill as it can aid in the execution of large, repetitive tasks, and in running analyses of large data sets. Four staff…
Haus Wittgenstein/Inverleith House Artist: Alan Johnston Date: 1995 Materials: Beeswax, charcoal and varnish on stone Ownership: On permanent loan from the artist Made to accompany the award-winning exhibition…
Situated within the garden are several pieces of sculpture, many linked to the gallery at Inverleith House and its past use as the Scottish Gallery of Modern Art.
Commissioned by Lady Bute as a memorial to her husband John, Sixth Marquess of Bute.
Rock Form (Porthcurno) reflects Hepworth’s on-going interest in the relationship between landscape and human interest.
This is one of Hepworth’s earliest large-scale bronzes, featuring two diamond shapes, the larger sitting on top of the smaller, suggesting growth and upward movement.
The Linnaeus Monument was erected by John Hope a year after Linneaus’ death. The monument, built at Hope’s own expense, is a lasting testament to his regard for Linnaeus.